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Jan Jaap van der Wal has been living in Antwerp for years. He has a soft spot for the flat lands of Flanders. His flat land. He feels at home there and does his work there. In the theater and on TV. But when he stands on top of the cathedral, and the weather is clear, he can see the Netherlands in the distance. Also a flat land. Also his. A country that keeps calling to him. And so, Jan Jaap returns to the Dutch theaters. With the perspective of an outsider. Who sees things just a bit differently.

A man worn down by the stress of adult life begins to drift back into memories of his childhood—and unexpectedly finds himself reliving its most beautiful, forgotten moments.

Rafael returns to his hometown after years away and finds a family immersed in tension, silence and old superstitions. His father, once authoritarian, now weakened, and his grandmother, a mystical figure in the village, represent a world where fear and popular beliefs shape everyday life. While trying to maintain reason in an environment marked by rituals, superstitions and disturbing coincidences, Rafael confronts the past and the possibility that the unusual may be more real than he imagines. Between family drama and dark humor, Crendices is a rural satire where the absurd intersects with everyday life, and where a simple superstition can unleash chaos.

A young adult with a troubled history with alcohol meets his friends for a quiet night in, but their poor influence on each other coupled with growing intoxication leads to a night out of anyone's control.

As Ricky struggles to get out of the loop, he must also fight oppositions and leave himself clues in hopes that he eventually escapes

Patrick Oliphant was a giant slayer, bravely taking on presidents, popes and the American corporate class with his mighty pen. An Australian transplant, Oliphant became America's most renowned and feared political cartoonist for five decades. With his biting wit and masterful drawing skills, Oliphant attacked individual and institutional corruption, collusion, greed, hypocrisy and arrogance, no matter the size or status of his targets.

Students from the Washington Urban Debate League navigate the challenges of daily life while striving for excellence in competitive debate. Beginning at an annual summer debate camp during the final days of the COVID pandemic, the film follows a group of dedicated young debaters. They immerse themselves in research, critical thinking, teamwork, and performance, hoping these skills will not only help them win tournaments but also overcome the obstacles standing between them and their full potential.

After a recent episode of self-harm landed Ava in the hospital, she is forced to stay with her sister Gillian. Gillian imposes strict rules, including locking away all sharp objects, to keep Ava safe. When Ava finds their late mother’s sewing things in the basement, she becomes obsessed with making a dress. Gillian, exhausted from juggling a corporate job and caregiving, tries to focus Ava’s attention on healing instead of hobbies – but her efforts to control Ava only deepen the rift between them. As Ava’s dress takes shape, so does her sense of autonomy, challenging Gillian’s idea of what recovery should look like. The tension escalates when an argument over therapy turns physical, leading to a moment of violence neither sister intended. But in the aftermath, the sisters begin to glimpse a different way forward – messy, uncertain, and stitched with care.

These are the funny, crazy, or surreal stories of those who make art and those who buy it, amid canvases, giant ready-made artworks, and performance art moments traded for a sum of money written on a piece of paper. But where is the line between art and commerce? And what does the public gain from all this?

As a boy, the director was sure about it: his uncle Massimo and Lucio Dalla were the same person. In the film he explores that impossible similarity, complicated and remarkable, which helped him understand his uncle’s disability. As he observes his daily life, Lucio Dalla comes back, singing of loneliness, anger, and freedom.

At the end of the 1980s, the first generation of Brazilian punk rock lived a cycle of violence and self-destruction. In the opposite direction, the beginning of the next decade sees the emergence of a powerful and tuned in generation that amplifies the echoes of punk, coming up with new subgenres. More politicized, united and socially conscious, the 1990s crop came along to put an end to the conflicts of the "old-timers" and bring new life to an engaged and active scene, ushering in new talent to the Brazilian music landscape, with important names such as No Violence, Agrotóxico, Ação Direta, Garage Fuzz, Dominatrix, among others.

Following a prophetic vision, Chief Mabaso recovers his ancestral lands and honors his name Zwelihle (Beautiful Land) by guiding his people to preserve it.

A shy guy silently falls in love with his straight forward coworker girl. They need to get the work done at the advertisement agency. What happens next to these organisms?

A documentary celebrating the life of Fernando Estrella, a pioneering LGBTI activist and beloved cultural icon. Through testimonies from friends and collaborators, it traces his fearless advocacy, artistic brilliance, and deep impact on queer visibility in Spain—from the Movida Madrileña to his influential presence in Palma. A chef, performer, and actor in Almodóvar’s films, Estrella defied norms and built community, especially through his legendary restaurant, Flexa. The film culminates in the surreal and moving farewell party held just before his death in 2023, a testament to the love he inspired.

Alai Oli is a band that constantly reinvents itself. The band started out in Yekaterinburg, but almost immediately began playing outside the city. And if at the start Alai Oli was listed as a reggae band, then later it became more difficult to define their style. “Everything is intertwined into a single stream,” is how the band’s creator Olya Marquez describes Alai Oli’s songs.